Posts tagged friendship

Because of Winn Dixie by Kate DiCamillo: A flawless work of fiction.

Because of Winn DixieBecause of Winn Dixie

Middle Reader

Ages 7 to 12

By Kate DiCamillo

182 pages

Candlewick

2000

2001 Newbury Honor Book

 

 

Kate DiCamillo is an exceedingly gifted storyteller and a truly talented writer. She uses her mastery to create distinctively memorable books with vivid, natural characters that come to feel like friends. She’s penned picture books, novels and books for middle readers. DiCamillo received a 2001 Newbury Honor for Because of Winn Dixie, her first book. Additionally, she won the 2004 Newbury Medal for The Tale of Despereaux and the 2014 Newbury Medal for Flora and Ulysses. She was also chosen to be the National Ambassador for Young People’s Literature for the 2014-2015 term.

The first time I read Because of Winn Dixie it was in one sitting. I have since read it at least three more times and each time I’ve felt that gratifying wave of exhilaration that comes from reading an incredibly special book. There’s a magical quality imbued in her words and a comfort to her stories. It’s difficult to put into words (truly, I’ve been trying for days to capture this properly) how DiCamillo weaves a story that so quickly and seamlessly pulls readers in.

Because of Winn Dixie is told from the perspective of 10-year-old India Opal Buloni. Her smart, sweet, eager, vulnerable and bold voice feels absolutely authentic and never simplified or insufficient. Readers will identify with her worries, cheer for her efforts, and delight in her accomplishments. While it’s clear that a ten year old is telling the story—the writing is simple and direct—her thoughts, feelings and observations are familiar and universal. She’s just trying make all the pieces in her world fit together as comfortably as possible.

Opal, as she’s called, has recently moved to Naomi, Florida with her father, “the preacher.” She’s having trouble adjusting; she had to leave her school and her friends and she’s been thinking a lot about her mother, who left when she was just three. But things begin to change for the better when Opal meets an extraordinary stray dog.

Anyone who has ever loved a dog can’t help but fall in love with Winn Dixie: an energetic mutt who becomes a friend to all, who smiles when he’s happy and sometimes smiles so big it causes him to sneeze. This exceptional dog captivates all who encounter him—characters in the story as well as readers of the book.

Opal first encounters the dirty, lanky stray in a Winn Dixie Supermarket—he is wreaking havoc in the produce section and causing the manager to have a conniption. The large, homely dog seems to be having the time of his life running through the store. He rounds a corner and skids to a stop in front Opal. Then, while looking right at her, he smiles wide, showing all his teeth, and wags his tail like crazy. When the frazzled manager mentions calling the dog pound, Opal suddenly claims the troublemaker as her own, and names him Winn Dixie. (Incidentally, Winn Dixie is my second favorite supermarket name, after Piggly Wiggly.)

The immediate bond between Opal and Winn Dixie is palpable. Opal’s urgency and desire to keep this dog is plain and she knows she must proceed with caution in convincing the preacher.

The preacher loves his daughter but he uses his work to keep from facing the reality of his life: that his wife is never coming back and that raising his daughter alone means also including her in his life.

Opal explains to the preacher that she’d encountered a “Less Fortunate” in need of a home. When he learns that the “Less Fortunate” is a stray dog, he tells Opal that she doesn’t need a dog but Opal counters that this dog needs her. The preacher’s resolve is no match for Winn Dixie’s broad smile and happy sneezes. The stray found a home and Opal found a friend and, more importantly, an ally.

With her mama gone, her friends in another city and her father always “preaching or thinking about preaching or getting ready to preach,” Opal yearned for someone who would just listen to her, and Winn Dixie was able to fill that void. Not only was he a great listener, he also seemed to consider what Opal was saying before “responding.” Right away Opal starts talking to Winn Dixie about everything, and talking to him gives her confidence.

Because of her talks with Winn Dixie, Opal finds the courage to ask the preacher about her absent mother. “I’ve been talking to Winn Dixie and he agreed with me that, since I’m ten years old, you should tell me ten things about my mama. Just ten things, that’s all.”

The preacher supplies Opal with ten facts about her mother—some kind, some unpleasant, but all true. And with that exchange Opal makes a tiny crack in the preacher’s protective shell, a crack that eventually becomes an entrance into a whole new relationship with her father.

Because of Winn Dixie, Opal begins to explore her new town and the people who inhabit it. She starts at the pet store. There she meets Otis, the man who runs the shop. Winn Dixie is starting to look like a proper well-loved dog and he needs a collar and a leash but Opal has no money. She quickly strikes a deal with Otis: she’ll sweep and clean the store every day to work off the cost of the items.

Ms. Franny, the librarian, suffers quite a fright when she mistakes Winn Dixie for a bear. Years before, she’d had a bear walk right into the library and steal a book from her and she’s been afraid of a recurrence ever since. Opal invites Winn Dixie inside to put Ms. Franny at ease. When Winn Dixie smiles wide at Ms. Franny and rests his head in her lap, the three are fast friends.

When Winn Dixie runs into the overgrown, tangled yard of “the witch,” Opal has no choice but to follow. There in the yard she finds Gloria Dump feeding peanut-butter sandwiches to an ecstatic Winn Dixie. “You can always trust a dog that likes peanut-butter.” The elderly, mostly blind woman becomes Opal’s newest friend.

One day, while at the pet store, Opal discovers that Otis had been in prison. Her immediate reaction is to be frightened, but Otis isn’t scary. He’s kindhearted and he takes excellent care of the animals. Early in the morning, before the store opens, he takes all the animals out of their cages and plays his guitar for them. The animals sit transfixed, like stone statues, under the spell of Otis’ alluring music. Opal can’t reconcile the seeming contradiction of an ex-con who is a good and kind person.

While having lunch with Gloria, she poses the question; “Do you think I should be afraid of him?. . . For doing bad things? For being in jail?” Gloria Dump says not a word and leads Opal to the very back of her yard. There stands a giant tree with countless empty bottles tied to and hanging from nearly every branch. Gloria—the nicest person Opal knows—explains that the bottles represent all the bad things she’s ever done and that mistakes are a part of being human.

Each new friend Opal makes shares stories of love, loss, adventure and sadness; these enchanting gems nestled amongst Opal’s frank narrative come together in a beautiful tapestry. With each new friend Opal learns something new about the people around her, about herself and about the world. She learns that every person faces struggles and one may never know what sadness and pain another person is harboring. And she learns that good friends boost each other up and help guide your way; they make the hard times in life a little bit easier and the good times in life even better.

Because of Winn Dixie is a remarkable book, one that I never wanted to end and one I know I will read again and again. Gift it to all the children you know, read it for yourself even if you do not have children, or read it aloud to your whole family.

 

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The Ant and the Elephant by Bill Peet: There’s strength in numbers.

Ant&Elephant

The Ant and the Elephant

Picture Book

Ages 4-10

By Bill Peet

48 pages

Houghton Mifflin

1972

 

 

Bill Peet (1915 – 2002) wrote and illustrated 36 books (most of which remain in print) and I truly love them all. His books are sublime. Full of humor, compassion, and warmth, his stories often focus on friendship, kindness and respect for the environment. Yet Peet was never condescending or didactic, he held his audience in high esteem. That his lengthy, complex books still hold the attention of today’s easily distracted children is a testament to his connection to young minds.

Peet’s lavish, enchanting art was created with colored pencils, pastels and India ink. His illustrations are colorful, detailed, expressive and whimsical. His wholly satisfying books are fantastical journeys into strange yet familiar lands featuring lovable, sympathetic characters (usually animals).

Prior to publishing his first book, Hubert’s Hair-Raising Adventure (1959), Peet worked for Disney Studios (he was there from 1937 to 1964). He worked on several of Disney’s most famous films, including Pinocchio, Fantasia, Dumbo, Cinderella, Sleeping Beauty and Jungle Book (though his work on that film went uncredited due to a dispute with Walt Disney).

Peet also created the first Disney film to come from a single storywriter, 101 Dalmatians—based on the book by Dodie Smith. He wrote the script, created the storyboards and designed the characters. It was Bill Peet who created the iconic Disney villain that so many people (myself included) love to hate, Cruella de Vil.

Cruella Deville

Isn’t she just perfectly evil?

Because of Peet’s work with Disney there’s a familiarity to his art; once readers begin to recognize his style, it becomes easy to spot his creations in the films he worked on.

 

The Ant and The Elephant is a twist on Aesop’s The Lion and the Mouse, in which a meek, small character is remarkably able to help a large, strong character.

While climbing a long blade of grass for a better view of the river, a small ant finds himself in a predicament after being blown by the wind. The minute creature lands on a stick in the middle of the river. He would surely drown if he tried to get to the shore himself, so he asks a nearby turtle for assistance; the grumpy turtle cannot be bothered to help.

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Soon enough the turtle finds himself in a bit of a bind, having tipped onto his back while trying to climb onto a rock.

TheAnt&TheElephant-001

He asks a nearby hornbill for a hand and receives a response quite similar to the one he gave the ant.

TheAnt&TheElephant 1-001

And so it goes down the line through several unhelpful—and perhaps shortsighted—African animals, until readers are introduced to the noble elephant. He hears so much with his large ears, “the faint rustle of a leaf, the least snap of a twig, or even the tiny voice of an ant calling.”

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The accommodating elephant, having heard all the events of the day, makes his way to the river to assist the miniscule creature. He offers the trapped ant his trunk; the grateful ant crawls on and is deposited safely on the shore of the river.

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The elephant continues on, helping each of the helpless—and shockingly ungrateful—creatures along the way.

Soon it is the elephant that finds himself in a disabled position; he’s fallen into a ravine.

TheAnt&TheElephant 2

He calls for help and waits and waits. As the sun sets, the elephant hears the sound of tiny footsteps. Soon, ninety-five thousand ants arrive to help him!

TheAnt&TheElephant

They successfully lift the giant beast and carry him up the wall and onto flat ground. And in return all of the ants climb aboard their new, grateful friend for their first ever elephant ride!

TheAnt&TheElephant 1-002

 

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A Home for Bird by Philip C. Stead: A touching story of friendship, kindness and determination.

A Home for BirdDSC02042

Picture Book

Ages 3-7

By Philip C. Stead

32 pages

Roaring Brook Press

2012

Watch the trailer!

 

 

Philip C. Stead is the author of several books, some of which he illustrated himself and some that are illustrated by his wife, Erin E. Stead. Their book, A Sick Day for Amos McGee, won the 2011 Caldecott Medal, which is awarded annually to the artist of the most distinguished American picture book for children.

Philip C. Stead, the writer, possesses the rare ability to convey a world of thoughts with a minimal amount of text. His stories are perfectly paced and wholly satisfying. Philip C. Stead, the illustrator, creates images that invoke warm, pleasing feelings.

His art in A Home for Bird was created with crayons and gouache (an opaque watercolor paint) producing a whimsical, child-like feel. Each illustration contains its own radiant world of genial animals surrounded by curious items such as yo-yo’s, old cans, bottle caps and teacups.

The opening illustration of A Home for Bird features an old pick-up truck; “Careful Moving Company” is stenciled on its door. A small cuckoo bird has sprung from its clock and tumbled off the back of the overstuffed truck bed into the wide, unknown world. In the next spread, Vernon, a curious frog who loves to collect interesting items, discovers the newly homeless bird.

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Concerned, Vernon addresses the stoic bird but receives no response.

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The kind-hearted frog introduces Bird to Skunk and Porcupine but still, Bird says nothing. Vernon’s friends wonder if their silent new friend is lost, or missing his home. Ever helpful, Vernon prepares for a journey to help his new friend find his home.

The unlikely pair visits multiple dwellings: a discarded birdcage, a mailbox surrounded by flamingos, a nest full of eggs. Bird continues to be silent; Vernon is hopeful that Bird will speak up when they find the right home.

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After much travel and no luck, Vernon is sad for his new friend and the intrepid travelers are growing tired. Vernon decides to ask for help.

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The helpful stranger directs Vernon and Bird to a farmhouse. Inside the cozy house, Vernon introduces himself and his mute friend to some new friends. Spotting a lovely little house hanging on the wall, Vernon makes the climb up with Bird in his arms and deposits him safely behind a small door; Vernon goes to sleep behind another door—sporting a clock-face—directly beneath Bird. Vernon falls asleep to the rhythmic sounds of a clock.

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Vernon awoke in the bright house with its lovely sounds and wondered if Bird liked this home as much as he did. “And Bird said…”

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“And Vernon was happy.”

 

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