Ages 5 and up
By Serge Bloch
Thames & Hudson
Occasionally I’ll pick up a book from an author or illustrator I’m not familiar with and, after some research, will be stunned to discover that the person has published multiple books and is a sensation in another area of the world. French-born author and artist Serge Bloch is an example of one of these discoveries.
His animated SamSam series, based on his SamSam comic, is hugely popular in Europe. His series Max et Lili, (published in France since 1992) has sold millions of copies. He compiled and illustrated a book of Steve Martin’s tweets and he regularly draws editorial illustrations for publications including the Washington Post, the Wall Street Journal, the Chicago Tribune, the New York Times and the Los Angeles Times, as well as Time and New York Magazine.
So, Serge Bloch’s extraordinary illustrations have finally etched their way into my consciousness, although I must have seen his work among the pages of some magazine or newspaper and filed it away in my brain because, as soon as I picked up The Big Adventure of a Little Line, the art was familiar. And probably not just because Bloch was clearly influenced by Tomi Ungerer, R.O. Blechman, Shel Silverstein, Quentin Blake and Charles Addams. Like these other masters of the line, Bloch is able to convey a considerable amount with minimal details. It is a true gift and I find this style immensely appealing.
I’ve had the great pleasure of knowing many artists as a result of my career in children’s books. The relationship between an artist and his art is complex and rife with struggles, but the artist’s art is essential to the artist’s well being. Creative compulsion can be exhilarating, comforting, and freeing. It can also be confusing, frightening, and debilitating. The combination of Bloch’s minimalist visual style and to-the-point story of living with and nurturing a creative drive lays bare the complicated relationship between an artist and his art starting at the most fundamental level.
Art as a profession is often the subject of parental fears. It can be incredibly difficult to develop and maintain an artistic career. But whether an artistic person decides to pursue a career in the arts is frequently irrelevant to the level of personal importance the art has in that person’s life. That creative impulse should be nurtured, loved, respected and supported. Should the person end up in a job or career that is more financially practical, artistic expression may prove to be an important outlet in maintaining a balanced life as well as the key to mental wellness. I highly recommend The Big Adventure of a Little Line for any person realizing an artistic inclination.
The book opens with a wistful looking boy out for a walk when he spots a small reddish-orange line lying by the side of the road. Intrigued, the boy takes the line home and rests it on a shelf alongside other cherished objects. The line sits mostly forgotten until the boy takes it down and lays it on an open page in his notebook. Thus begins the life of an artist.
Like many lifelong relationships, this one starts simply, though not necessarily easily, and develops over time into something integral. The boy and the line need to learn about each other, and find a way to co-exist. We follow the newly formed pair through airy, uncluttered spreads of discovery and understanding, interspersed with chaotic images of frustration and struggle.
The line helps the boy grow into a man and becomes his complement. Traveling the world, delighting children, opening exhibits, stirring emotions and fraternizing with other artists, the creative relationship proves magical.
The artist grows old, and eventually he and the line agree that it is time to use a bit of their magic to inspire others. As the book comes to a close, the contented elder artist snips off a small bit of his line and deposits it on a stretch of road. It is quickly spotted by a grinning girl who immediately tucks it into her pocket, an apt metaphor.
An inherently beautiful effect of art is to bring about thoughts, feeling and emotions that one might not otherwise have had. Art does not simply exist as an expression of the artist, it also moves, inspires and stimulates. I like to imagine that many little pieces of the artist’s line were discovered, collected and carried by others throughout the career of the man and his craft, whether he meant to inspire or not.