Posts tagged Tomi Ungerer

The Big Adventure of a Little Line by Serge Bloch

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Picture Book

Ages 5 and up

By Serge Bloch

88 pages

Thames & Hudson

2016

 

 

 

 

 

Occasionally I’ll pick up a book from an author or illustrator I’m not familiar with and, after some research, will be stunned to discover that the person has published multiple books and is a sensation in another area of the world. French-born author and artist Serge Bloch is an example of one of these discoveries.

His animated SamSam series, based on his SamSam comic, is hugely popular in Europe. His series Max et Lili, (published in France since 1992) has sold millions of copies. He compiled and illustrated a book of Steve Martin’s tweets and he regularly draws editorial illustrations for publications including the Washington Post, the Wall Street Journal, the Chicago Tribune, the New York Times and the Los Angeles Times, as well as Time and New York Magazine.

So, Serge Bloch’s extraordinary illustrations have finally etched their way into my consciousness, although I must have seen his work among the pages of some magazine or newspaper and filed it away in my brain because, as soon as I picked up The Big Adventure of a Little Line, the art was familiar. And probably not just because Bloch was clearly influenced by Tomi Ungerer, R.O. Blechman, Shel Silverstein, Quentin Blake and Charles Addams. Like these other masters of the line, Bloch is able to convey a considerable amount with minimal details. It is a true gift and I find this style immensely appealing.

I’ve had the great pleasure of knowing many artists as a result of my career in children’s books. The relationship between an artist and his art is complex and rife with struggles, but the artist’s art is essential to the artist’s well being. Creative compulsion can be exhilarating, comforting, and freeing. It can also be confusing, frightening, and debilitating. The combination of Bloch’s minimalist visual style and to-the-point story of living with and nurturing a creative drive lays bare the complicated relationship between an artist and his art starting at the most fundamental level.

Art as a profession is often the subject of parental fears. It can be incredibly difficult to develop and maintain an artistic career. But whether an artistic person decides to pursue a career in the arts is frequently irrelevant to the level of personal importance the art has in that person’s life. That creative impulse should be nurtured, loved, respected and supported. Should the person end up  in a job or career that is more financially practical, artistic expression  may prove to be an important outlet in maintaining a balanced life as well as the key to mental wellness. I highly recommend The Big Adventure of a Little Line for any person realizing an artistic inclination.

The book opens with a wistful looking boy out for a walk when he spots a small reddish-orange line lying by the side of the road. Intrigued, the boy takes the line home and rests it on a shelf alongside other cherished objects. The line sits mostly forgotten until the boy takes it down and lays it on an open page in his notebook. Thus begins the life of an artist.

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Like many lifelong relationships, this one  starts simply, though not necessarily easily, and develops over time into something integral. The boy and the line need to learn about each other, and find a way to co-exist. We follow the newly formed pair through airy, uncluttered spreads of discovery and understanding, interspersed with chaotic images of frustration and struggle.

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The line helps the boy grow into a man and becomes his complement. Traveling the world, delighting children, opening exhibits, stirring emotions and fraternizing with other artists, the creative relationship proves magical.

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The artist grows old, and eventually he and the line agree that it is time to use a bit of their magic to inspire others. As the book comes to a close, the contented elder artist snips off a small bit of his line and deposits it on a stretch of road. It is quickly spotted by a grinning girl who immediately tucks it into her pocket, an apt metaphor.

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An inherently beautiful effect of art is to bring about thoughts, feeling and emotions that one might not otherwise have had. Art does not simply exist as an expression of the artist, it also moves, inspires and stimulates. I like to imagine that many little pieces of the artist’s line were discovered, collected and carried by others throughout the career of the man and his craft, whether he meant to inspire or not.

 

 

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Clown by Quentin Blake: A wordless delight.

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Clown

Picture Book

Ages 2-10

By Quentin Blake

32 pages

Henry Holt

1996

 

 

The work of Quentin Blake has appeared before on TurtleAndRobot.com,  here and here. He is perhaps my most favorite illustrator. Fortunately for me, he is extremely prolific. Unfortunately for me, I may never be able to collect all his books. His skilled storytelling, expert lines, quirky style and exceptional art never cease to amaze me. Clown, a wordless picture book, is among my favorite picture books ever. Blake’s generous palette is radiant and expansive. The story is sweet and sad; the art, as always, is active and expressive.

Though this is his only wordless picture book to date, Blake’s art often needs no words; with a quick line and a splash of color he is able to convey more energy and emotion in one panel that some artists can achieve in an entire book. The small and elite group that I consider to be in the same realm of Blake’s artistic genius includes only two other illustrators: Shel Silverstein and Tomi Ungerer. Each of these men is able to breathe irrepressible life into a single line. Though the style may appear to be easy and uncomplicated it is in fact richly complex and expertly crafted.

Wordless picture books can be off-putting to some adults—they panic, “What do I read if there are no words?” But a wordless book can be liberating. Readers have an opportunity to change the story every time they tell it. The story is right there in the pictures and how it’s told is up to the reader. Wordless books offer children and adults an opportunity to observe the action, follow a sequence of events and tell their own version of what they perceive. Wordless stories can aid in developing visual literacy, narrative skills and creativity. Freed from the confines of text, novel nuances emerge every time the book is opened.

 

Clown opens with a grandmotherly figure descending the steps of a brownstone, her hands full of old, worn dolls. Into the garbage they go; the lifeless toys oblivious to their new unfortunate situation. In the next spread, a surprised Clown—who is amongst the recently discarded—looks around in dismay and quickly wriggles free. He drops to the ground and brushes himself off. Noticing his ragged shoes, the quick-thinking Clown roots through the neighboring pile of garbage and finds himself a sporty pair of high-top sneakers. The rejuvenated Clown is off and running!

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He soon spots a young child and rushes to tell her his story, but before he can finish she is scooped up by her parents and taken away. The baffled Clown is wondering what to do next when he’s picked up by an adult and promptly added to a group of costumed children being photographed. Clown, growing distressed, tells his story to a young girl dressed in a fairy costume. She happily picks Clown up and takes him with her. When she arrives at home her mother promptly throws the used toy out the window.

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Clown lands safely on the street and is immediately chased down by an angry dog. The situation seems dire but the ever-energetic Clown jumps onto a crate and puts on a show of acrobatics for the now bewildered dog. Just then, the dog’s owner comes along and Clown quickly finds himself being tossed aside again.

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He flies through the air and lands inside a home where a woeful caretaker is desperately trying to comfort a crying child. Clown’s unexpected appearance shocks them both. Without delay, the charming Clown begins entertaining his new audience. Swiftly relieved of their tears, the guardian and her charge are won over. Once again he explains his predicament. Clown and the caretaker quickly come to an agreement: he will help her clean up the house before the child’s mother arrives and she will help him rescue his friends from the garbage.

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The new friends work wonderfully together and the apartment is soon in perfect order. Clown, caretaker and baby head out to liberate the toys from their difficult situation. After retrieving his rejected comrades from the garbage, Clown finds a lovely blue ribbon for the babysitter’s hair and a bouquet of flowers to decorate the apartment; the jovial trio returns home.

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When the tired-looking mother arrives, she’s surprised and delighted to find a happy child, a clean home and a menagerie of new friends. Clown rests happily, his ordeals behind him, with his old friends and his new family.

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View the Book!

IndieBound / Powell’s / Amazon

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